The tower takes its name from what it was planned around: the west-facing shoreline, and the hour when the Gulf turns amber and rose. Sitting on the outer edge of the collection, it faces open water rather than another building, a position only a handful of homes on the island hold. Full-height glazing carries that view through the living areas and bedrooms, and each home opens outward onto an elevated terrace, with private swimming pools on the larger layouts. Inside, the palette is deliberately quiet — soft greys, warm taupe and natural beige, light wood cabinetry, honed grey marble and champagne metal detail. The primary bathrooms carry the same tone with a double vanity in grey stone and concealed storage behind fixed mirrors, while the powder room turns sculptural with a deep blue glass basin. Six lifts serve the twenty floors, and the ground plane around the tower is pedestrianised, with waterfront promenades and the beach a short walk from the lobby.